Thanks for all the kind words and feedback, woah. Here's the latest version, with a somewhat more wet mix and a few changes.
The original had a ton of control curves on practically everything, this doesn't really change them too much. In some places, particularly the double reeds, I felt (and still feel) a bit constrained by the 'switching' that takes place in intensity... there's sometimes a narrower window of useful expression than I'd like, beyond which it gets out of character for the phrase. I'll try another library on them someday.
In some places I've shortened the breath/rearticulation or bow-change time on repeated notes, which has a big effect on this piece's main melody. I've also rethought some dynamics and expression in the violins, and made like a million other tiny tweaks...