For me I've spent the last week or so when I have any spare time getting it into the template. That's been quite a lot of work because I've wanted to separate all the articulations into two different patches for each instrument - longs and shorts. That's all now done and dusted - some phenomenal number of instruments. This is where VE Pro disabled template comes into its own.
On Saturday I used it for my first piece in anger, which I'm afraid I can't yet post publicly as its for a future project. The piece already existed with CineBrass, but I wanted it to sound much more vintage, a kind of 40s / 50s war movie feel, and CB felt too glossy, with the baked in room not sounding to the right period. So I replaced all the brass with MSB, and was delighted with the results.
In a sense, no dramatic revelations as it more or less confirmed what I already knew. The library sounds fantastic, and absolutely avoids the sampled build up of too many players. It is MUCH more precise to work with - I had to adjust the midi a lot simply because CB masked all my atrotious playing, which MSB rather mercilessly exposed, and naturally there were some new key-switching and dynamics to figure out. And of course it was a breeze to add a much shorter reverb tail than I usually use. Swapped out a few more instruments in the piece so there was nothing left of the modern big sound, put it through all the vintage effects and job done.
I also used it on a collab piece yesterday, but it was predominately strings and there was only a couple of brass parts so hardly serves as a showcase. Horns sounded wonderful, but the solo trumpet didn't suit this one as it had to be very mellow and emotive. As I so often do with that requirement, I went right back to the 1.0 Core Solo Trumpet CB patch.