Love it. Can you share more about the orchestration, libs+patches used, etc?
Thank you guys for listening!
Woods: The flutes are all Berlin - longs, legatos, trills. For the rest I used Albion 1 (the legacy thing) this way: One track called “Woods Short” where I load both the high and low short woodwinds into the same instance of Kontakt, and another track where I do the same with “Woods Long.” The Albion 1 woodwinds are so beautiful for this — less “quacky” than Albion One.
Brass: SSB horns a2 legato, a2 long, bones a2 legato, Albion 1 (not ONE) brass mid short and Albion One (not 1) brass low long. The brass patches in these Albions have to be combined because one of them (I can’t remember which) is recorded in octaves but not consistently across the whole brass range.
Strings: The beautiful Albion One Strings Octave Legato (one of my favorites), SSS Ensemble trems, flautando (another favorite), minor and major 2nd trills, high runs. Then sections V1, V2, VA and VC legato. Then sections V1, V2, and VC pizzicato. Harp is both the regular Spitfire Harp and the BHCT Harp/Vibraphone, heavy on the regular harp, BHCT harp for when the harp is playing a melody.
Percussion: The Spitfire Joby Burgess thing. Vibes, Glock, Timp. The cymbals are Albion 1 — which I’ve always found easier to work with than the cymbals in Spitfire Percussion.
Bernard Herrmann: Chords Minor, Chords Other and TWO tracks of Chords Major. The reason for two tracks: the chord patches in BHCT
swell. If you don’t want them to swell you must use expression automation to reduce the volume inversely to the volume of the recorded swell. If you have two major chords in succession this won’t work on a single track for obvious reasons, so two tracks solves everything. In wet libraries this sort of thing doesn’t work so nice because as you use expression to compete with a wet swell the instruments stay the same volume but the reverb swells bigger. The BHCT is relatively dry so you can do this without too much consequence.
Also, the BHCT chords patches are designed so that when the modwheel is down the chords “shimmer” — woods are trilling, strings tremming or trilling etc. It’s gorgeous. As the modwheel comes up the orchestra plays straight. Almost all of this piece was recorded in modwheel down mode. Fiddling with these chord patches is what inspired the piece, both compositionally and its orchestration.
Choir: The choir is a combination of 8Dio Boys Choir and Omnisphere Choir Full Swell Ohs.
I really wish that someone made a choir library that had legato patches of gently sung, nostalgic sounding “ahs” etc. non-operatic…much like what I had to hobble together here. No latin “Domine Klaatu Barada Nikto!” nonsense. If anyone knows of such a library please advise! (Think old Disney or Lassie movies.)
There’s also a couple tracks of Omnisphere “Granular Humming” to fill out the sound in some places.
59 tracks all together, but some with only single notes.
Is this what you meant?