I'm starting to hear a lot about neighboring rights royalties and I read on another forum that it's worth collecting them, including for those of us who make production music.
I've heard of two companies so far which can collect them for composers: Rident and NRG.
Does anyone here have any experience with these companies? How did it go if so? Was it worth it?
It would be great to hear from others.
I've heard of two companies so far which can collect them for composers: Rident and NRG.
Does anyone here have any experience with these companies? How did it go if so? Was it worth it?
It would be great to hear from others.