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Could these 2 tracks exist in the same game?

On first listen, no IMO. But here's what you can do: Split your two songs in half (or into even smaller parts, preferably).

Boss part 1 <transition into> Doverport part1 <transition into> Boss Part 2 <transition into> Doverport part 2

Or some other order if you prefer.

It's an exercise but trying to get the transitions to work musically and smoothly can help highlight the cohesiveness (or lack thereof) of your pieces. It may even help provide solutions to making them more cohesive.
 
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On first listen, no IMO. But here's what you can do: Split your two songs in half (or into even smaller parts, preferably).

Boss part 1 <transition into> Doverport part1 <transition into> Boss Part 2 <transition into> Doverport part 2

Or some other order if you prefer.

It's an exercise but trying to get the transitions to work musically and smoothly can help highlight the cohesiveness (or lack thereof) of your pieces. It may even help provide solutions to making them more cohesive.
Oh I actually meant more generally, rather than in succession.
 
Oh I actually meant more generally, rather than in succession.

I know :)

You're asking if these two pieces could belong in the same game aka "score palette" (I said "no"). Then you stated that tone/palette is a new phenomenon to you. So I described a technique that some use (from the beginning of the score-writing process normally) to affirm/create cohesiveness while composing discrete elements.
 
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I know :)

You're asking if these two pieces could belong in the same game aka "score palette" (I said "no"). Then you stated that tone/palette is a new phenomenon to you. So I described a technique that some use (from the beginning of the score-writing process normally) to affirm/create cohesiveness while composing discrete elements.
Oh yep sorry - I didn't read your first post correctly. Thanks for the advice
 
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