ghandizilla
and .then()
All is in the title.
What kind(s) of distortion(s) do you use in your orchestral template? (Tape emulation? High-frequencies boost?) For what purpose(s)?
I personally use FF Saturn on my strings bus, but I've read some use some tape emulation on their master, or on basses. I know there is no "one solution to rule them all", but I would be curious to read what, why, and when, with A/B comparison if possible.
It's a way to approach the most important question of all: what do we really need?
What kind(s) of distortion(s) do you use in your orchestral template? (Tape emulation? High-frequencies boost?) For what purpose(s)?
I personally use FF Saturn on my strings bus, but I've read some use some tape emulation on their master, or on basses. I know there is no "one solution to rule them all", but I would be curious to read what, why, and when, with A/B comparison if possible.
It's a way to approach the most important question of all: what do we really need?